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“A simple phrase can say a thousand words that a thousand notes cannot. This is my attraction to Gary’s music. I have always identified with his music; his beautiful, elegant melodies and corresponding harmonies free of excess. It’s my legacy to share his music with the harp world.”
Over the past three decades, American flutist-composer Gary Schocker has written well over 100 pieces for harp. Only a small percentage of that abundance has been recorded, but it includes a septet called Cherry Blossoms. Written in 2006 for flute, clarinet, harp, and string quartet, Cherry Blossoms may recall the instrumentation of another piece now a century old. In case the unusual instrumentation seems familiar, that’s because Read more
Monoculture shouldn’t be encouraged the way this one has been.
Listen patiently, quietly, and reverently to the lessons, one by one, which Mother Nature has to teach, shedding light on that which was before a mystery, so that all who will may see and know.
If you violate Nature’s laws you are your own prosecuting attorney, judge, jury, and hangman.
As spring arrives, communities nationwide are holding blossom festivals that of course have no connection to the pagan cultures we often rebuke and nature worship that predates Christianity. No, they’re about tourism and promoting the local economy. They’re also about bringing people together, creating unity rather than division based on wealth, religious beliefs, and politics that often yield acrimony.
As we crown blossom queens and spoof kings who were added not long ago to remedy the inequality and sexism of a beauty pageant (note to self: watch Drop Dead Gorgeous again), there’s a glaring problem behind some of these festivals that many people in the community aren’t aware of Read more
Think back a few years and you probably remember the immense, destructive waves that hit Japan. On March 11, 2011, an earthquake off the coast of the largest island, Honshu, triggered tsunamis over 100 feet high that traveled more than a mile inland once they reached the coast. Thousands of people were injured or died, and in the days that followed, aftershocks woke survivors in the night and brought disturbing reminders of the whelming force of nature during the day.
For obvious reasons, foreigners who could were leaving, but British filmmaker Lucy Walker went to Japan just after one of the greatest natural disasters in its history. Read more