Admire a Crystal Forest with William Sharp

a close view of a twig covered by ice with other branches in the background

“Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure . . . But now for many years I cannot endure to read a line of poetry; . . . My mind seems to have become a kind of machine for grinding general laws out of large collections of facts . . . If I had my life to live over again, I would have made a rule to read some poetry and listen to some music at least once every week. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.”

Charles Darwin

A Crystal Forest (1913)
by William Sharp Read more

Get Affirmative and Transformational Results When You Consider the Social and Psychological Side of Gardening

a tray of seedlings showing sprouts just about an inch high

Here are two stories about fitting in, standing out, and being yourself, one from Scotland and one from Wales. Both stories align with this adage from Bernard Baruch that I hope you know already:

“Be who you are and say what you feel, because those who mind don’t matter, and those who matter don’t mind.”

Then there’s this query from author and speaker Ian Wallace:

“Why are you trying so hard to fit in when you were born to stand out?”

Coming from Scotland, Tom Smart makes some really fine points about gardening and the pleasure of being outdoors. He describes a recent conversation with a person who complained about cutting his lawn Read more

Sound of the Season: Claude Debussy’s Enchanting Music for Spring

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painting The River Epte by Claude Monet (1885)
The River Epte (1885)
by Claude Monet

To be interested in the changing seasons is a happier state of mind than to be hopelessly in love with spring.

George Santayana

a portrait of Claude Debussy by Marcel Baschet (1884)
portrait of Claude Debussy by Marcel Baschet (1884)

As a young adult, when the French pianist-composer Claude Debussy was living in Rome as a laureate of the Rome Prize, he was expected to send works back to Paris indicating his artistic progress. One of them was supposed to be a symphony or a piece of similar scope for orchestra. In fact, he hardly completed anything because he was trying to write music “that is supple and concentrated enough to adapt itself to the lyrical movements of the soul and the whims of reverie.” It also helps to acknowledge he was a meticulous craftsman and re-writer who held himself to an exceedingly high standard and an innovator who wasn’t content to write music the way it had been before.

One of the few things he did complete and send was a piano duet called Spring, and he added that the full score for orchestra, piano, and chorus had been lost Read more